The term ‘story-centric’ represents a fundamental shift in news production. Simply put, story-centric centers planning around the story itself, departing from traditional, linear news production that focuses planning on broadcast time slots and rundowns. A story-centric approach still includes linear news production, but subsumes it into a wider framework that’s also able to accommodate online,…
Newsrooms are under immense pressure to adapt and innovate due to changing audience demands, new digital platforms, and the impact of social media, all while dealing with tighter budgets and stretched resources. Dalet, in collaboration with Caretta Research, has released an industry report titled ‘The future of newsroom workflows,’ offering insights and strategies from a global survey of over 60 leading news organizations.
It Used To Be Easy! Ah, the golden days when the TV business was as straightforward as broadcasting content across terrestrial channels, with families gathered around the TV set in their living rooms! Viewers were happy to turn on a single, trusty device that delivered a variety of content at any time. Sure, it was…
Around this time each year, I wonder what the following 12 months will have in store for our industry. This is a difficult endeavor under normal circumstances – but now that 2020 has been and gone, predicting the immediate future is something probably best left to professional fortune-tellers. Nonetheless, having already discussed with industry peers…
Fierce competition for viewers along with a rapidly changing multiplatform environment has put newsrooms under immense stress. In the space of just a few weeks, news broadcasters have had to discard a lifetime’s worth of practices and hard-earned experience as anchors and reporters are dispatched to their homes where they continue to broadcast, but not…
A little while ago, I wrote here about the US requirement for subtitles – closed captions – to be included on IP-delivered content as well as television. But what about the rest of the world? The first thing to say is that the world is a pretty big place, which means that the practice of subtitling and captioning, and…
Quality Control (QC) has always been close to our hearts. Media files must always be fit for purpose – when they are not they quickly become toxic and can be highly destructive within any file-based workflow: The EBU shares our point of view- QC is key. “Broadcasters moving to file-based production facilities have to consider how to use…
Recently, we staged a webinar in partnership with ATG Broadcast which focussed on the Digital Production Partnership (DPP) file standards. We had a number of contributors giving the perspectives of a service provider, a media facility and a broadcaster. The broadcaster’s perspective was provided by Shane Tucker from UK broadcaster, Channel 4. The broadcaster does not produce…
As previously discussed on this blog, DPP standards webinar threw up some fascinating perspectives on this area of file-based workflow standardization. Another interesting perspective came from Chiswick-based international media facility, TVT, which was represented on the webinar by its managing director, Kim Thesiger: TVT can claim to be one of the first (even perhaps the first) European…
So many of you came to us to talk about captions during NAB. Based on our conversations, it’s clear that captions remain a huge source of frustration and worry. Broadcast workflows are more complex than ever. Add captions to the mix, and the complexity takes on a new dimension: Now, what you don’t want to do, is carry on…
July 1936 Fred Perry was winning Wimbledon and the NBC was conducting programming tests in High definition (225 of RCA’s licensees saw programming on 22 centimeter screens, 343 lines per picture, 30 pictures per second): 77 years later and another British tennis player wins Wimbledon and the event pulls in the biggest TV audience in…
At the start of June, we heard that the IBC has short-listed BT Sport, Timeline Television and ourselves for the IBC Innovation Award under the Content Management category. This is a good reason to celebrate – in short-listing our submission IBC is recognizing all the effort made making sure that BT Sport’s new production facility…
Next week will see a first for AmberFin when we exhibit in our own right at Broadcast Asia. This is a dynamic, fast growing regional market for our products and services – one that we have prioritized for a number of years. I will travel to Singapore for the exhibition and I’m excited at the prospect of what…
It was very sad to hear over the weekend that David Frost had died. He came from a generation where it was possible to be a true global broadcasting super-star. Why don’t you step back and think about what he achieved during his life. Now try to imagine some young 20 year old today trying…
The term ‘story-centric’ represents a fundamental shift in news production. Simply put, story-centric centers planning around the story itself, departing from traditional, linear news production that focuses planning on broadcast time slots and rundowns. A story-centric approach still includes linear news production, but subsumes it into a wider framework that’s also able to accommodate online,…
Newsrooms are under immense pressure to adapt and innovate due to changing audience demands, new digital platforms, and the impact of social media, all while dealing with tighter budgets and stretched resources. Dalet, in collaboration with Caretta Research, has released an industry report titled ‘The future of newsroom workflows,’ offering insights and strategies from a global survey of over 60 leading news organizations.
It Used To Be Easy! Ah, the golden days when the TV business was as straightforward as broadcasting content across terrestrial channels, with families gathered around the TV set in their living rooms! Viewers were happy to turn on a single, trusty device that delivered a variety of content at any time. Sure, it was…
Around this time each year, I wonder what the following 12 months will have in store for our industry. This is a difficult endeavor under normal circumstances – but now that 2020 has been and gone, predicting the immediate future is something probably best left to professional fortune-tellers. Nonetheless, having already discussed with industry peers…
Fierce competition for viewers along with a rapidly changing multiplatform environment has put newsrooms under immense stress. In the space of just a few weeks, news broadcasters have had to discard a lifetime’s worth of practices and hard-earned experience as anchors and reporters are dispatched to their homes where they continue to broadcast, but not…
A little while ago, I wrote here about the US requirement for subtitles – closed captions – to be included on IP-delivered content as well as television. But what about the rest of the world? The first thing to say is that the world is a pretty big place, which means that the practice of subtitling and captioning, and…
Quality Control (QC) has always been close to our hearts. Media files must always be fit for purpose – when they are not they quickly become toxic and can be highly destructive within any file-based workflow: The EBU shares our point of view- QC is key. “Broadcasters moving to file-based production facilities have to consider how to use…
Recently, we staged a webinar in partnership with ATG Broadcast which focussed on the Digital Production Partnership (DPP) file standards. We had a number of contributors giving the perspectives of a service provider, a media facility and a broadcaster. The broadcaster’s perspective was provided by Shane Tucker from UK broadcaster, Channel 4. The broadcaster does not produce…
As previously discussed on this blog, DPP standards webinar threw up some fascinating perspectives on this area of file-based workflow standardization. Another interesting perspective came from Chiswick-based international media facility, TVT, which was represented on the webinar by its managing director, Kim Thesiger: TVT can claim to be one of the first (even perhaps the first) European…
So many of you came to us to talk about captions during NAB. Based on our conversations, it’s clear that captions remain a huge source of frustration and worry. Broadcast workflows are more complex than ever. Add captions to the mix, and the complexity takes on a new dimension: Now, what you don’t want to do, is carry on…
July 1936 Fred Perry was winning Wimbledon and the NBC was conducting programming tests in High definition (225 of RCA’s licensees saw programming on 22 centimeter screens, 343 lines per picture, 30 pictures per second): 77 years later and another British tennis player wins Wimbledon and the event pulls in the biggest TV audience in…
At the start of June, we heard that the IBC has short-listed BT Sport, Timeline Television and ourselves for the IBC Innovation Award under the Content Management category. This is a good reason to celebrate – in short-listing our submission IBC is recognizing all the effort made making sure that BT Sport’s new production facility…
Next week will see a first for AmberFin when we exhibit in our own right at Broadcast Asia. This is a dynamic, fast growing regional market for our products and services – one that we have prioritized for a number of years. I will travel to Singapore for the exhibition and I’m excited at the prospect of what…
It was very sad to hear over the weekend that David Frost had died. He came from a generation where it was possible to be a true global broadcasting super-star. Why don’t you step back and think about what he achieved during his life. Now try to imagine some young 20 year old today trying…
